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Gordon Matta-Clark | Pier 52 (#5) | MutualArt
At The Rose, 'Gordon Matta-Clark: Anarchitect' Deconstructs The Life And Work Of An Iconoclast | WBUR News
Day's End" as a New Beginning: How Artists Found Inspiration in the Grit of 1970s New York - Artful Jaunts
Day's End (also called Day's Passing) - 3 - M HKA Ensembles
New York, USA. 28th Apr, 2021. Laurie Tisch (2nd from left), museum director Adam Weinberg (center), Co-director of Estate of Gordon Matta-Clark Jane Crawford (3rd from right) among guest attend The Whitney
How Gordon Matta-Clark Turned the Ruins of 1970s New York into Art | Artsy
day's end pier 52, NY LET THE LIGHT IN Gordon Matta Clark | Gordon matta clark, Sculpture installation, Abstract
Pier Groups: Art and Sex along the New York Waterfront, by Jonathan Weinberg | Times Higher Education (THE)
From David Hammons, a Tribute to Pier 52 and Lastingness - The New York Times
Day's End, Gordon Matta Clark | Totemscity
Unbuilding Gender
A conversation between Gwendolyn Owens and Philip Ursprung on their new book, Gordon Matta-Clark: An Archival Sourcebook
The Invisible Histories of 'Day's End' - ArtReview
The Invisible Histories of 'Day's End' - ArtReview
Days end-Pier 52 by Gordon Matta-Clark on artnet
Gordon Matta-Clark — Ala Champ
Rose Art Museum - Gordon Matta-Clark: Anarchitect. Named... | Facebook
Around Day's End: Downtown New York, 1970–1986 | Whitney Museum of American Art
From David Hammons, a Tribute to Pier 52 and Lastingness - The New York Times
Gordon Matta-Clark's Indelible Influence on Architecture | Architectural Digest
The PLAIN of HEAVEN
David Hammons' Monument to The Chelsea Piers Rises on the Hudson - Metropolis
David Wojnarowicz, Gordon Matta-Clark, and the Fordist Crisis in 1970s New York - Post45